Established in 2014, Alexander Whitley Dance Company exists as a platform for enquiry: bringing together artists and academics from a wide range of disciplines to explore, develop and disseminate ideas about movement. Building on a distinguished performing career, AWDC was founded in response to the new spheres of knowledge and creativity being opened up by digital technology and a widening interest in dance from thinkers in other fields including science, design and architecture.

Through its innovative stage productions The Measures Taken, Pattern Recognition and 8 Minutes, the company has rapidly established a reputation for its ambitious and intellectually engaged work and has developed a wide network of world-class collaborators.  

A desire to further knowledge and understanding of dance within the field as well as to the broader public is also a driving force behind the company’s work. Establishing research platforms through our links with higher education is a key factor in this and with our Creative Learning Programme we seek to bring our high quality work to communities and young people around the UK.  





AWDC Calendar












AWDC Calendar













3 October, DanceXchange, Birmingham 

6 & 7 October, Laban Theatre, London

10 October, The Lowry, Salford, part of Manchester Science Festival

10 November, Dance East, Ipswich

17 Nov, Kulturzentrum Tempel, Karlsruhe, Germany



23 November, Clore Studio, Royal Opera House, London

30 November, Clore Studio, Royal Opera House, London

1 December, Clore Studio, Royal Opera House, London























Originally from the U.S., Donna has been the producer for Alexander Whitley Dance Company since 2012. She produced the dance-digital work, The Measures Taken (2014 Royal Ballet Studio commission), The Grit in the Oyster for Thomas Ades: See the Music, Hear the Dance (2014 Sadler’s Wells commission), the dance-digital work Pattern Recognition (2016 Sadler’s Wells commission) and is currently working on Alexander’s major new Sadler’s Wells commission for 2017. She is also an adjunct faculty member for the Roger Williams University London Dance programme (US/UK).

Other past freelance projects include producing the dance-digital work, Blood (Royal Opera House ROH2 commission) and INSIDE for Jean Abreu Dance and managing Freddie Opoku-Addaie’s Royal Opera House ROH2 commission Absent Made Present and Hofesh Shecter’s deGeneration tour. Prior to that Donna was Dance and Performance Event Co-ordinator at the South Bank Centre and Artist Fellowship Coordinator for the Rhode Island State Council on the Arts (US). Donna danced professionally from 1986 – 2002 and was co-Artistic Director and Executive Director of Groundwerx Dance Theatre. 

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Victoria began her career with Scottish Dance Theatre in Dundee, Scotland, where she danced for eight and a half years. After a short period teaching in the UK, she joined Cullbergbaletten in Stockholm and subsequently spent four years with the company. Since 2013, Victoria has been working as a freelance dancer, teacher, and rehearsal director based in Stockholm. During her career so far Victoria has worked with over thirty different choreographers, including Mats Ek, Alexander Ekman, Örjan Andersson, Rui Horta, Johan Inger, Ina Christel Johannessen, Crystal Pite, and Hofesh Shechter amongst others. Victoria has also taught ballet and modern classes and creative workshops in all types of institutions, from primary schools to professional degree courses, as well as for professional dance companies. 


Originally from Gothenburg, Sweden, Hannah Ekholm began her training at the National Swedish Ballet School and The Royal Swedish Ballet School before moving to England to continued her training at Tring Park School for the Performing Arts where, in her third year, she toured around the UK with Encore graduate company.

In 2014 Hannah became a founding member of the dance company Chrysalis London where she performed in many works by Jodie Blemings. Alongside her work with the company Hannah gained a BA (Hons) in professional Practice. In 2016 Hannah began an apprenticeship with James Wilton Dance, touring around the UK and performing in ‘On the Line’ and ‘LEVIATHAN’. 

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Filipino, born in Italy, Michael began his career in USA where he danced for Cleveland based company GroundWorks Dance Theater. Aside performing, he's also been involved as faculty member at Cleveland State University.
He received his BFA from The Juilliard School, where he had the pleasure to premiere creations by Monica Bill Barnes and Larry Keigwin among others and perform repertoire by José Limón, Merce Cunningham, Lar Lubovitch and Jiri Pokorny.
As a choreographer his works have been featured at the Juilliard School, NYC's Dumbo Dance Festival 2014 and in Cleveland, where he premiered (a)maze at the art gallery Tregoning & Co. and Behind the Next Door at the Cleveland Public Theater's DanceWorks 2017 in collaboration with company Alpha.



Born in Cairns, Australia, Tia discovered her passion for dance at a young age receiving her early training from Turning Pointe Dance Studios and Dancescapes. She later advanced to full-time training at the Western Australian Academy of performing Arts, graduating her Bachelor of Dance with the Channel Seven Overall Achievement Award. During her three years of training she achieved the Solo Seal Award of the Royal Academy of Dance, was a selected choreographer for the Student Works Season and studied repertoire by choreographers such as Jiří Kylián, Henrique Rodovalho, Rafael Bonachela and Iván Pérez. Tia worked closely with internationally recognized choreographers for performances such as SYNC by Nils Christie, Til The End by Kim McCarthy and The Four Seasons - Retouched by Sue Healy. She has gained industry experience as a guest visitor with Sydney Dance Company, Expressions Dance Company and Australian Dance Theatre. Currently residing in London, Tia has joined Alexander Whitley Company for the creation of 8 Minutes.

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Leon trained at Laban Centre in London, when he graduated in 2009 he joined Balletboyz and performed with the company in both stage and film for 7 years, featuring in Balletboyz’ feature film Young Men and Channel 4’s Random Acts. Leon has worked with artists like Ivan Perez, Russel Maliphant, Alexander Whitley, Christopher Wheeldon, Liam Scarlett. He also performs and choreographs for commercial film and music projects for artists like Alex Reynolds and Kyla La Grange.


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Originally from England, David Ledger received his training at the Northern school of Contemporary Dance and afterwards at The Rambert School of ballet and Contemporary Dance. Upon leaving the school David began an apprenticeship and soon after full time contract with Netherlands Dans Theater 2, where he remained for four years. During this time he toured internationally performing and creating works with the likes of; Ohad Naharin, Jiri Kylian, Sharon Eyal and Gai Behar, Alexander Ekman and Johan Inger, to name a few. In 2014 David left the company to focus on a freelance career. Since then he has become a member of the company Wim Venderkeybus / Ultima Vez, where he participated in the most recent creation of new work, ‘speak low if you speak love’, which he is still touring internationally. As well as performing in some of the companies existing repertoire. He also recently participated in the research and development phase of a new project with DV8 physical theatre. David has also taught at many institutions, including The Rambert School and recently at The Royal Swedish Ballet as part of Lloyd Newson’s workshop there. 

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Caitlin received her B.F.A. in Dance from Marymount Manhattan College in 2013, and following graduation attended Springboard Danse Montréal performing works by Victor Quijada (RUBBERBANDance Group), Bryan Arias, Barak Marshall, and Elisabeth Motley. Based in NYC, she has performed works by Loni Landon Dance Projects, Loudhound Movement, HEWMAN, Roya Carreras + Artists, Margot Gelber & Maleek Washington, and Isodoc Dance Group. Caitlin has done commercial work appearing in music videos for Zolita, Pussy Riot, Xenia Ghali, Michael Blume, and Dave Mackay. She is also a costume designer, wardrobe coordinator, and wardrobe assistant for several companies and dance schools in the New York City area. 





























Alexander Whitley Dance Company has a bright future ahead but the company's success depends in part on the support that we are able to secure from those who value Alexander's passion and creativity. Any level of support can make a difference to our ability to deliver exciting and thought-provoking new productions.

We hope that you will consider playing a role in our future by making a contribution to Alexander Whitley Dance Company at one of the following levels:

FRIEND: £25 p.a.

In return for your support, Friends will receive:
Updates on current AWDC productions
Advance notice of forthcoming presentations.

PATRON: £100 p.a. .

In return for your support, Patrons will receive:
All of the benefits received by Friends plus,
Invitations to attend post performance receptions with opportunities to meet members of our production creative teams

PARTNER: £1,000 p.a.

In return for your support, Founding Partners will receive:
All of the benefits received by Friends and Patrons plus,
Exclusive behind the scenes access during the creative process for new productions.

To make a donation today, please click on the button below or alternatively, please contact Donna Meierdiercks to discuss your level of support by clicking here

Donate here