Originally from the U.S., Donna has been the producer for Alexander Whitley Dance Company since 2012. She produced the dance-digital work, The Measures Taken (2014 Royal Ballet Studio commission), The Grit in the Oyster for Thomas Ades: See the Music, Hear the Dance (2014 Sadler’s Wells commission), the dance-digital work Pattern Recognition (2016 Sadler’s Wells commission) and is currently working on Alexander’s major new Sadler’s Wells commission for 2017. She is also an adjunct faculty member for the Roger Williams University London Dance programme (US/UK).

Other past freelance projects include producing the dance-digital work, Blood (Royal Opera House ROH2 commission) and INSIDE for Jean Abreu Dance and managing Freddie Opoku-Addaie’s Royal Opera House ROH2 commission Absent Made Present and Hofesh Shecter’s deGeneration tour. Prior to that Donna was Dance and Performance Event Co-ordinator at the South Bank Centre and Artist Fellowship Coordinator for the Rhode Island State Council on the Arts (US). Donna danced professionally from 1986 – 2002 and was co-Artistic Director and Executive Director of Groundwerx Dance Theatre. 

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Victoria began her career with Scottish Dance Theatre in Dundee, Scotland, where she danced for eight and a half years. After a short period teaching in the UK, she joined Cullbergbaletten in Stockholm and subsequently spent four years with the company. Since 2013, Victoria has been working as a freelance dancer, teacher, and rehearsal director based in Stockholm. During her career so far Victoria has worked with over thirty different choreographers, including Mats Ek, Alexander Ekman, Örjan Andersson, Rui Horta, Johan Inger, Ina Christel Johannessen, Crystal Pite, and Hofesh Shechter amongst others. Victoria has also taught ballet and modern classes and creative workshops in all types of institutions, from primary schools to professional degree courses, as well as for professional dance companies. 


Luke is a freelance dance artist based in London. He trained at London Contemporary Dance School, where he graduated in 2015 with First Class Honours and has had the opportunity to perform works by Richard Alston, Didy Veldman, Crystal Pite, and Kerry Nicholls. Since graduating Luke has been working in both commercial and contemporary settings; dancing in music videos, gallery exhibitions and fashion promotion. Luke has performed in conceptual works by Pablo Bronstein as well as N'da Dance Company, Hubert Essakow, Fevered Sleep, Shobana Jeyasingh Dance. Luke recently performed a new solo work, Ulysses Awakes for Alexander Whitley and the 12 Ensemble’s collaborative Aldeburgh residency. 

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Originally from England, David Ledger received his training at the Northern school of Contemporary Dance and afterwards at The Rambert School of ballet and Contemporary Dance. Upon leaving the school David began an apprenticeship and soon after full time contract with Netherlands Dans Theater 2, where he remained for four years. During this time he toured internationally performing and creating works with the likes of; Ohad Naharin, Jiri Kylian, Sharon Eyal and Gai Behar, Alexander Ekman and Johan Inger, to name a few. In 2014 David left the company to focus on a freelance career. Since then he has become a member of the company Wim Venderkeybus / Ultima Vez, where he participated in the most recent creation of new work, ‘speak low if you speak love’, which he is still touring internationally. As well as performing in some of the companies existing repertoire. He also recently participated in the research and development phase of a new project with DV8 physical theatre. David has also taught at many institutions, including The Rambert School and recently at The Royal Swedish Ballet as part of Lloyd Newson’s workshop there. 


Originally from Gothenburg, Sweden, Hannah Ekholm began her training at the National Swedish Ballet School and The Royal Swedish Ballet School before moving to England to continued her training at Tring Park School for the Performing Arts where, in her third year, she toured around the UK with Encore graduate company.

In 2014 Hannah became a founding member of the dance company Chrysalis London where she performed in many works by Jodie Blemings. Alongside her work with the company Hannah gained a BA (Hons) in professional Practice. In 2016 Hannah began an apprenticeship with James Wilton Dance, touring around the UK and performing in ‘On the Line’ and ‘LEVIATHAN’. 

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Leon trained at Laban Centre in London, when he graduated in 2009 he joined Balletboyz and performed with the company in both stage and film for 7 years, featuring in Balletboyz’ feature film Young Men and Channel 4’s Random Acts. Leon has worked with artists like Ivan Perez, Russel Maliphant, Alexander Whitley, Christopher Wheeldon, Liam Scarlett. He also performs and choreographs for commercial film and music projects for artists like Alex Reynolds and Kyla La Grange.



Born in Cairns, Australia, Tia discovered her passion for dance at a young age receiving her early training from Turning Pointe Dance Studios and Dancescapes. She later advanced to full-time training at the Western Australian Academy of performing Arts, graduating her Bachelor of Dance with the Channel Seven Overall Achievement Award. During her three years of training she achieved the Solo Seal Award of the Royal Academy of Dance, was a selected choreographer for the Student Works Season and studied repertoire by choreographers such as Jiří Kylián, Henrique Rodovalho, Rafael Bonachela and Iván Pérez. Tia worked closely with internationally recognized choreographers for performances such as SYNC by Nils Christie, Til The End by Kim McCarthy and The Four Seasons - Retouched by Sue Healy. She has gained industry experience as a guest visitor with Sydney Dance Company, Expressions Dance Company and Australian Dance Theatre. Currently residing in London, Tia has joined Alexander Whitley Company for the creation of 8 Minutes.


Originally from Barcelona, Spain, Julia Sanz Fernández trained at the Institut del Teatre, Barcelona Conservatory. She later joined the Junior Ballet at the Conservatoire National Supérieur de Musique et de Danse in Paris working with choreographers such as Cristiana Morganti (from Pina Bausch’s Tanztheater Wuppertal), Nathalie Pubellier, Jarek Cemerek and Guillaume Gallienne. From 2014-16, she worked with Baltic Dance Theater in Gdansk, where she performed in works such as Falling Angels, by Jiri Kylian, Clash, by Patrick Delacroix, and several works by Isadora Weiss. Most recently Julia has been performing Dana Raz’s Wolves in Teatro Campoamor, Oviedo, Spain.